《琴为何物·宋·水云归》本专辑为自得琴社《琴为何物 宋 水云归》朝代系列音乐会原声带。 “水云归”之题，出自宋代琴家郭沔所作《潇湘水云》一曲。水与云是历来文人骚客钟爱吟咏的意象，更是虚灵高远的中国艺术的生命精神，水云之归意在人曲相传，文脉不断。辑中各曲，或为古曲改衍，或为新作：《杏花天影》《泛沧浪》《抬眠》《桂枝香》是清臞文人的吟叹，是“又将愁眼与春风”的缱绻思情，是“志在扁舟五湖，载风月而播弄云水”的散淡浪漫，是“不用撑肠拄腹文字五千卷，但愿一常及睡足日高时”的安怀乐道，亦是“六朝旧事随流水”的抚今追昔。《醉醉渔，唱唱晚》《葡萄仙子》《槐黄》《满江红》则是芸芸百姓的歌咏，有田园少女清歌“柳枝鸲鹆未成舞，溪面葡萄初泼醅”，有学子壮志“槐黄已迫，愿言共展冲天翼”，亦有黎民盼英灵归来“收拾旧山河”。 This album is the original soundtrack of Zi De Guqin Studio's "What Is Qin: Song Dynasty-The Homage of Water and Clouds" concert series. The title is inspired by the composition "Xiaoxiang Shuiyun" by the Song Period Qin composer Guo Mian, also known as Guo Chuwang. Water and cloud iconography held great reverence among literati and poets throughout various periods, symbolizing spirituality in Chinese art. Within the album, some were adapted from ancient tunes while others were newly composed. "Shadows of the Apricot Blossom," "Boating Along the Waves", "Gleaning the Fragmented Dream" and "The Fragrant Osmanthus Twigs" portray the lament and elegy of literati. "Drunken drunken fisherman singing singing in the evening","The Grape Fairy" "When the Scholar Tree Flower Turns Yellow" and "The River Runs Red" feature songs and chants of the ordinary folks, pastoral tunes and odes to apprentices and returning heroes.